Peroni

Teatro Municipal de S�o Paulo, ''Macbeth''

Peroni — 2013-05-02T22:00:00+01:00

G�teborgs Stadtsteater, ''The Danton Case''

Peroni — 2013-04-09T22:00:00+01:00

The scenography by Alex Tarrag�el used the elastic BMS-TulleMicrostretch to create, supported by the light design by Max Mitle, the walls of varying transparency of the interiors in which the drama by [[http://en.wikipedia.org/wiki/Stanisława_Przybyszewska|Stanisława Przybyszewska]] develops.
Noteworthy is the way in which some of the BMS-TulleMicrostretch backdrops were painted and their use on the scene with mobile carts.

Teatro Verdi of Trieste, ''The Corsair''

Peroni — 2013-03-01T23:00:00+01:00

For the return of the opera by [[http://en.wikipedia.org/wiki/Giuseppe_Verdi|Giuseppe Verdi]] in the theater where it debuted in 1848, the scenography by

Pier Paolo Bisleri

uses a big hemicycle suspended to a 1L-BinarioLaser rail system that flows in front of a Schermoperretroproiezioni made of the film RAR-Arizona.
The installation celebrates the bicentennial of the birth of Verdi at the [[http://en.wikipedia.org/wiki/Teatro_Lirico_Giuseppe_Verdi|Teatro Lirico Giuseppe Verdi]] of Trieste, the first Italian theater to devote its own name to him on the January 27th of 1901, the same day of his death.

Theater an der Wien, ''Radamisto''

Peroni — 2013-02-10T23:00:00+01:00

The scenography by Vincent Lemaire used three black walls for projections realized with BOP-TulleOpera, with the film QGH-Ghiaccio and with... some smoke.
The unusual reflective and transparency properties of these particular screens allowed Guido Levi and Barbara Weigel to experiment an original work of lighting and projections.

SakhaExpo, Moscow

Peroni — 2013-02-05T23:00:00+01:00

Cylindrical Schermoperproiezionifrontali with 360� projection stretched on a Telaiodaappenderecomponibile made of the film PSS-Superscreen3D.

[hr][1]Дизайн-проект стенда [2][[http://lifeinteractive.ru/|LifeInteractive]][3]
[1]Дистрибьютор Peroni [2][[http://www.stagedesign.ru/|Стейдждизайн]][3]

Teatro Amilcare Ponchielli, ''Ernani''

Peroni — 2013-01-19T23:00:00+01:00

The account of the realization of the installation by two of its authors, the scenographer Dario Gessati and the painter-decorator Keiko Shiraishi, gives the opportunity to visit a classical workplace in the structure of the teatro all'italiana that belongs to the history of theatrical scenography.
The ''soffittone'' of the [[http://en.wikipedia.org/wiki/Teatro_Comunale_Modena|Teatro Comunale Luciano Pavarotti]] of Modena is among the last to be still in service in the native destination, that of a workshop for the realization of painted backdrops.

Maggio Musicale Fiorentino, ''Swan Lake''

Peroni — 2012-11-20T23:00:00+01:00

The scenography by Italo Grassi is a reflection about the theme of the transformation.
The various stages of the physical transformations of the water are a metaphor of the transformations of the human personality inserted in the circularity of the [[http://en.wikipedia.org/wiki/Swan_Lake|Lake]].
The lake is symbolically represented with the silver floor TSS-SupersilviaStarSpecchiante, while the semitransparent walls that contain it, realized with two FondaliTripolina, allude to the glass of water that caused the death of [[http://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovsky|Tchaikovsky]].

Teatros del Canal, ''Adal�''

Peroni — 2012-06-11T22:00:00+01:00

Madrid: the scenographer Alfonso Barajas transforms the skirt of [[http://es.wikipedia.org/wiki/A�da_G�mez|A�da G�mez]], made of red HSE-SetaTempesta, in a gigantic veil that swells and circles on the stage.

''COS - Tela Oscurante'', new colours for chroma key

Peroni — 2012-03-28T22:00:00+01:00

Teatro Lirico di Cagliari, ''Ch�rubin''

Peroni — 2012-01-24T23:00:00+01:00

Video of the Sipariallagreca made of HRT-RasettoTextur� with a lateral opening.

Teatro La Fenice, ''La sonnambula''

Peroni — 2012-01-19T23:00:00+01:00

The scenography by Massimo Checchetto used three big Fondaliretroilluminatistampadigitale to reproduce with a photographic style the Swiss alpine landscapes that are the background of the opera.

Limeart, 'Magic Mirror'

Peroni — 2012-01-19T23:00:00+01:00

Open rehearsal installation realized by Limeart.

Teatro alla Scala, ''Don Giovanni''

Peroni — 2012-01-18T23:00:00+01:00

The scenographer Michael Levine created a scenography based on the perspective reproduction of the reality and on its fragmentation and recompopsition in a puzzle that is continually remixed during the carrying out of the show.
The realization of the scenes departed from the photos of the architectural reality of the Teatro alla Scala to end, through the reworking of the photographic material, to its faithful reproduction with Stampedigitaliperscenografia on ADT-TelaTreviraGraphic.

Arena Sferisterio, ''Les contes d'Hoffmann''

Peroni — 2012-01-18T23:00:00+01:00

Siparikabuki made of white HSE-SetaTempesta used for effects of chromatic illumination.
The ventilation confers to the curtain a superficial mobility similar to that of a liquid.

''Hikikomori''

Peroni — 2011-12-10T23:00:00+01:00

Narrow scenery of a contemporary social problem, the room of Hikikomori was conceived by the scenographer Silvio Motta with a backdrop made of LWE-WindElastico used for frontal and rear-illumination and a Tilted platform custom realized.

Teatro alla Scala, ''Quartett'' with 'La Fura dels Baus'

Peroni — 2011-10-15T22:00:00+01:00

The famous theatrical Catalan company suspends in the air the room in which the deadly duel between the viscount Valmont and the marquise of Merteuil is developing ([[http://en.wikipedia.org/wiki/Les_Liaisons_dangereuses|Les Liaisons dangereuses]]).
A black Schermoperretroproiezioni made of RNO-Notturno is dominating the background.

Booth ''Nanis'' at VicenzaOro

Peroni — 2011-10-08T22:00:00+01:00

An elegant, semitransparent and symbolic evening dress realized with long threads of
black NTR-Tripolina (project by Paolo Marangon) delimited the exhibition space in Vicenza (Italy) of Nanis, an important manufacturing firm of ''made in Italy'' jewels.

Teatro alla Scala, ''L'altro Casanova''