HSE140S - Tempesta - Flameproof

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01 white
45. red
72. light blue
75. bleu
95. grey
99. black

HSE140S - Tempesta - Flameproof

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Special colours available at this time

23. yellow * (153 m)
63. green chroma key * (5,5 m)

* availability limited to the indicated quantity

HSE140N - Tempesta - Not flameproof

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01 white

HSE - Tempesta silk

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95. grey in half-transparency.

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Teatro de la Maestranza, ''Tannhäuser''

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Big sails made of HSE - Tempesta silk 45. red that underlines the extreme lightness and sensibility to the wind of this fabric.

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Teatro Verdi of Trieste, ''La Tragédie de Salomè''

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HSE - Tempesta silk

72. light blue

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Piccolo Teatro, ''The Tempest''

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A preparation that belongs to the history of the modern scenography: Luciano Damiani experimented in a revolutionary and definitive way the use of the silk for scenography, that since then on, in Italy - and in many other countries - it was called ...

... HSE - Tempesta silk.

Damiani used the lightness of the HSE - Tempesta silk to create a shaken and fluctuating surface that simulated the stormy sea, having under the backdrop made of silk numerous actors that shook upward their arms.

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Piccolo Teatro, ''Faust, fragments''

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Projections on a big spiral backdrop made of white HSE - Tempesta silk realized for a famous preparation by Josef Svoboda.

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Ravenna Festival, ''Pietra di diaspro''

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Small vaulting backdrops made of white HSE - Tempesta silk in a scene that also uses a backdrop made of threads NTR - Tripolina.

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Teatro San Carlo, ''Tristan und Isolde''

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The transparency of the white draperies made of HSE - Tempesta silk, placed side by side to the black ones made of EVT - Light Sceno Poly that have been stretched on the frames.

The sea is a realization performed with QSK - Retrafilm.

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Teatro Regio di Torino, ''The Maid of Orleans''

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The semi-transparent flag is made of HSE - Tempesta silk with the colours 01. white, 45. red and 72. light blue.

The mantles of the choir and of Mirella Freni are made of white HSE - Tempesta.

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Teatro alla Scala, ''L'altro Casanova''

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A big draped backdrop manufactured by the workshop of the Teatro alla Scala with around 450 m² of HSE - Tempesta silk 45. red.

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Teatro della Pergola, ''Memoirs of Hadrian''

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Closed set with a trapezoidal plan made with two layers of soft materials.

The front face is a flat making backdrop made of white HSE - Tempesta silk, here frontally illuminated with blue light ...

... and here with yellow light in the center.

The colonnade of the previous photo, and the Pompeian frescoes in this one, are instead rear-projected on a RCO - Colorado backdrop and they can be seen in semi-transparency through the silk.

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Tiziano Ferro, ''Alla Mia Età''

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Kabuki curtain made of white HSE - Tempesta silk.

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Teatro Amilcare Ponchielli, ''Andromeda liberata''

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The aerial lightness of three fluctuating backdrops made of white HSE - Tempesta silk, here illuminated with blue light.

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Teatro Verdi of Padua, ''Aida''

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Two backdrops made of HSE - Tempesta silk 45. red are reflected in a ZSM - Magic Mirror backdrop 11 m high and 14 m wide.

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Teatro alla Scala, ''Simon Boccanegra''

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A transparent drapery made of white HSE - Tempesta silk creates a bond among the symbol of an impossible terrestrial purity - the source in the center of the stage - and the celestial transcendence.

The cobalt blue cloth ...

... here in the foreground, whose color and whose undulations are a symbol of the sea, is realized with a cut of HSE - Tempesta silk dyed on demand.

On the background a Rear-illuminated backdrop made of RNO - Notturno film.

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Teatros del Canal, ''Adalí''

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A backdrop made of red HSE - Tempesta with flat making, 14 x h 9 m, is tied up to the waist of Aída Gómez as if it were a big skirt.

On the background there is another backdrop, through which the orchestra that accompanies the dance can be seen in semi-transparence ...

... and it was made up of red HSE - Tempesta silk with vertical fullness 20%.

In the foreground, the skirt made of red HSE - Tempesta of Aída Gómez is grabbed to the corners and lifted ...

... and it is dragged upward with fluctuating movements until it disappears from the scene.

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Teatro La Fenice, ''Il killer di parole''

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Kabuki curtain made of HSE - Tempesta silk, 95. grey ...

... with Digital printing, width 16,8 m and height 11 m.

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Teatro San Carlo, ''Paganini''

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Six large semi-transparent drapes made of white HSE - Tempesta silk with concentric fullness ...

... variously moved and illuminated with chromatic light were the most visually important element of this scenography.

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Teatro Stabile di Torino, ''Operette Morali

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Backdrop made of HSE - Tempesta digital printing silk.

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Teatro Real, ''L'Orfeo''

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Costumes manufactured with HSE140N - Tempesta - Not flameproof silk of several colours.

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Luciano Ligabue, ''Tour Ellesette''

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Kabuki curtain manufactured with 99. black HSE - Tempesta.

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Arena Sferisterio, ''Les contes d'Hoffmann''

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Backdrop made of 01. white HSE - Tempesta silk.

The backdrop, installed flat and tense, thanks to the strong light reflection properties assumed with great effectiveness the colorations of the illumination: greyish in this case ...

... or blue in the scene of the famous Barcarolle.

Pier Luigi Pizzi exploited the extreme lightness of the fabric giving it a continuous superficial movement that conferred to the backdrop a swaying and amazing vitality.

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Teatro Massimo, ''I Vespri siciliani''

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A detail of the HSE - Tempesta digital printing silk ...

... with which a large Traveller curtain with vertical fullness was made, here illuminated with yellow light, through which a sea panorama realized with silver QSK - Retrafilm is shining.