Teatro alla Scala, ''Bărbierul din Sevilla''


The stage direction by Leo Muscato set the action on the stage of an early 20th century rehearsal theater.The stage will be exposed to the audience offering various points of view.The protagonists will also be found in other places of the theater: in the dressing rooms, in the tailoring department, among the equipment ...
Vezi toate
... along the catwalks, and so on.The scenographer Federica Parolini therefore «... multiplied the three scenic situations foreseen by the libretto in about twenty theatrical places, where the characters interpret themselves and are simultaneously the thespians who are rehearsing a show».For this purpose the scene was organized, as this sketches show ...
... building the proscenium arch of a theater from the beginning of the last century inside the real proscenium of the Teatro alla Scala.The curtain will be equipped with a Deschidere prin pliere pe față, whose movement will turn the green velvet upwards, deliberately showing its pink lining.During the show, this first curtain will open totally and, as the next sketch points out ...
... a second curtain will appear, identical to the previous one, but seen on the reverse and hung from a second stage arch.Of the second curtain above all the pink lining will be visible, the velvet will be seen because the curtain will be moved away from the center to the sides with an Deschidere italiană.Through the opening, one can notice a third scenic arch similar to the previous ones and equipped with a third fake open curtain ...
... with two Set pieces made of painted ASC - Sceno muslin.In this image of the real scene we see the first two prosceniums, free from their curtains, and the third with the fake curtain that opens onto a backdrop in ASC - Sceno canvas used as a support for lighting.To keep faith with the temporal location between the 19th and 20th centuries, the scenographer has chosen traditional materials.
The two curtains were made of FOT - Otello velvet, 104. light green colour, lined with HSV - Trevi satin, 28. dark pink colour.Both fabrics have been aged by the Scenographic Workshop of the Teatro alla Scala with appropriate pictorial interventions, during which the velvet has also been decorated with gold stars.The curtains were then made by Peroni ...
... with confectionare fără falduri and they have been embellished with golden and cm high NFR - Franjuri 50, NBT - Accesorii decorative and NAG - Banda decorativa brodata, cotton and lurex made.The scenographic project envisaged that the curtains were pleated, at the moment of their installation on the stage, in a slightly neglected way ...
... as in this phase of the installation test in Peroni's theater.The half curtain on the left is that of the second portal and it highlights the rings for the Deschidere italiană rope (not yet inserted here) and it is 7.60 m high.The one on the right, on the other hand, is one half of the first curtain, with the rope of the Deschidere prin pliere pe față made with an NCS - Franghii si snururi decorative ...
Comic drama in doua acte
Gioachino Rossini (1792-1868)
Prima reprezentatie
Rome, Teatro Argentina, 20/2/1816

Federica Parolini
Costume design
Silvia Aymonino
Lighting design
Alessandro Verazzi
Ddirectia scenica


Materiale utilizate în această producție

3C - Frânghie Canapa


ASC - Sceno

Stofe / panze

BIT - Italiano


Cortina cu deschidere italiana (fluture)

Tipologie de cortine

Cortina cu deschidere prin pliere pe față

Tipologie de cortine

COS - Oscurante

Textile opace

FOT - Otello


GGI - Siria


HSV - Trevi

Matase și satin

NAG - Agremano

Franjuri și borduri decorative

NBT - Bordo traforato

Franjuri și borduri decorative

NCS - Franghii si snururi decorative

Franjuri și borduri decorative

NFR - Franjuri

Franjuri și borduri decorative

Informatii despre prelucrarea datelor