Teatro Verdi di Padova, ''Aida''


The stage of the Teatro Verdi of Padua during the staging. The middle of the tilted floor that occupies the whole stage opens on a big trap door that, during the opera, will disclose to the public the presence of an underlying environment.The stage space reflects into two gauri trapezoidale mirroring legs și into a fundal ZSM - Oglindă Magic lățime 14 m și înălțime 11 m that forms, in comparison to the tilted floor of the stage, an angle of 90°.Through the ZSM - Oglindă Magic one can glimpse, in transparenta, something similar to a gri drapery.It is an RAR - Arizona fundal for retro-iluminare, lățime 9 m și înălțime 7 m, still waiting for being tense to the structures of stage.
Vezi toate
The ZSM - Oglindă Magic has been tilted in such a way to give to the public a reflected vision from a high point of view of the scenary și of the characters.It is in evidence the mighty structure din some heavy-duty 7QD40 - Grinzi cu sectiune patrata HD 40 cm to which the oglindă has been tense using 500 negru WPE - Perofix.The configuration used in this case is M1.The perimeter is finished cu WCS - Chinga + WOC - Capse + WPE - Perofix.
The general repetiție of the show.The variegated lumină albastră creates a liquid environment accented by the reflexes coming from the mirror.
As of habit, Hugo de Ana also signed the costumes of the show - in the image those of Amneris și of the handmaids - și worked cu the choreographer Leda Lojodice.
ZSM - Oglindă Magic.
ZSM - Oglindă Magic.
Two fundaluri din HSE - Tempesta, culoare 2 roșu, manufactured in the dimensiune 11 x 6 m, invade the scene developed by the handmaids of Amneris și they also create a bloody, liquid și mobile cloud that is duplicated in the mirror.
In the upper part of the picture is evident, la stânga, as the mirroring effect of the fundal ZSM - Oglindă Magic was slightly altered by the apparition on the surface of of a bas-relief fundal, vertically installed behind the mirroring fundal.The bas-relief fundal was made appear or disappear, during the carrying out of the scenes, using the lights.
Opera in patru acte
Giuseppe Verdi (1813-1901)
Prima reprezentatie

costume design,
light design,
directia scenica
Stage designer's assistant
Juan Guillermo Nova
Leda Lojodice
Productie management
Sandro Dal Pra
Workshop scenografic
Arena of Verona
Arena of Verona
Teatro Verdi de Padua

Bassano OperaFestival
Arena of Verona

Hugo de Ana used a big ZSM - Oglindă Magic fundal for a mise en scène in which the intimate și nighttime atmospheres prevailed.
Set aside the trionfalismis of a certain interpretative seam, the scenografie was used here to make emerge the human passions, the aspirations, the illusions și the inside conflicts of the protagonists.

Materiale utilizate în această producție

7QD40 - Grinzi cu sectiune patrata HD 40 cm

Grinzi de aluminiu

ASC - Sceno print digital

Print pe material textil

HSE - Tempesta

Matase și satin

Hugo de Ana

Maestrii ai scenei

Print digital pe fundaluri luminat din spate

Print pe vinil

RAR - Arizona

Folii retroproiecție

RNB - Nebbia

Folii retroproiecție

WPE - Perofix


ZSM - Oglinzi din QSM - Magic Mirror Film

Fundaluri pentru proiecție / transparente