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Print digital pentru scenografie

 

Fundaluri din ATR - Sceno Poly. Teatro alla Scala, ''Don Giovanni'' The philosophy we use to deal cu Print digital comes from the craft vision that characterizes all our conventional productie, applied to a new hi-tech way to realize the traditional scenographical paintings.
Vezi toate
Those that to the spectators seemed some arcades cu glasses are actually some fundaluri din BGO - Gobelin printat digital on which were reproduced the geometric motives that imitated the glasses cu lead binding. Teatro Real, ''Les contes d'Hoffmann'' This means that, for us, printing is not simply ''to push a button on a machine'', but realizing exactly the plan that the customer requires beginning from a consultation to get a high-definition image, accuracy in the reproductie of culoare.We don't have an approach to digital printing like advertising digital printing, but we put in this new technology all the experience și handcraft tradition used in painted scenografie.
A big fundal din ASC1000S - Sceno lăţime 1.000 cm - Ignifugat cu Ecoprint extra lat drawn by a painting of the Spanish '600. C.N. de Teatro Clásico, ''Don Gil de las calzas verdes'' Definition of the image means for us a detail really faithful to the original independently from the distance of fruition; that is because our solutions of printing, born for theatrical applications, don't fear comparisons even if observed really nearby și their use is frequent in events, fashion parades or in exhibitive installations.
A fundal cu Print digital on PBO - Bianco Ottico. LakméMusic - Opera-lyrique in trei acteLéo Delibes (1836-1891) Scenography,costume designTechnical directionStage directionStaging - William OrlandiRenzo MilanArnaud BernardTeatro Massimo of Palermo We value the feedback of our customers: we continually want to be stimulated, looking for new opportunities of development, și we are convinced that one should look inside și beyond the material și the culoare, as it has always been in the exceptional tradition of scenographical Italian painting.
The fundal (15 x h 8 m) din folie pentru retroproiecție RNB - Nebbia on wich the scenographer Francisco Azorín asked to be printed cu Print digital the image of this huge female weeping eye, that is here interacting cu the retro-iluminare. Teatro de Madrid, ''Samsara'' In theatre, despite the distance that normally happens between the first spectator și the scene, we want to assure the best possible result without qualitative compromises.
A second fundal din BGO - Gobelin printat digital cu the same dimensiune of 15 x h 8 m.The image of the closed eye is also in this case cu Print digital. Teatro de Madrid, ''Samsara'' That is the reason why we go ''beyond'', which is why we can obtain culori out of the gamut that is normally reproducible by normal printers și get incredible interactions between support și pigment, leaving that the last limit to test was the imagination of the scenographer.
A synthesis of the stage properties of BGO - Gobelin printat digital: efecte of transparenta on the characters set behind the fundal, efecte of chromatic illumination, of proiecție (the airplanes), of Print digital (the eye). Teatro de Madrid, ''Samsara'' In the design phase, de exemplu, the lighting și ''how'' the printed fundal will be illuminated, take precedence in the choice of the best support; often, it happens that the client started from an assumption of a material, și then landed to something radically different, once aware of the results obtained cu our supports. They are less conventional of what you might expect to be able to print.
Fundaluri din film decorativ printat digital on the QSP - Mirofilm, culoare argintiu.Changing the processes și adapting them to the scenographical needs, we want to be the quality to differentiate a simple printing from something capable of amazing the audience.Of course, this requires research și development specifically dedicated to the development of materials, machinery și pigments și their continuous evolution during the time.
Caracteristici
possibility to choose the printing support among many scenographical materials in Peroni catalogue (cloths, folie pentru retroproiecție, decorative films, covoare de dans, etc.).
higher execution speed than traditional paintings fundaluri
printing quality (and therefore costs) proportional to the distance of observation
dimensiune of the fundaluri virtually unlimited, thanks to the possibility of compoziţie of the printed tesserae
competitive cost compared to the painting of traditional scenografie

Vezi si...

Arena, ''Carmen''

Opera lirica

C.N. de Teatro Clásico, ''Don Gil de las calzas verdes''

Teatru-proza

C.N. de Teatro Clásico, ''Sainetes''

Teatru-proza

Eros Ramazzotti, ''Ali e Radici''

Concerte

Eros Ramazzotti, ''Calma Apparente''

Concerte

Rossini Opera Festival, ''Semiramide''

Opera lirica

Stand firma auto

Instalatii comerciale

Stand unei firme de cosmetice

Instalatii comerciale

Teatro de Madrid, ''Samsara''

Dans

Teatro del Canguro, ''Pinocchio''

Teatru

Teatro Lirico, ''The Oprichnik''

Opera lirica

Teatro Real, ''Les contes d'Hoffmann''

Opera lirica

Teatro Sociale di Rovigo, ''Otello''

Opera lirica

Teatrul San Carlo, ''Gustavo III''

Opera lirica

Vancouver Opera, ''Stickboy''

Opera lirica