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Romãnä

Teatro Lirico, ''Hans Heiling''

Cagliari

The two characters, a big dodecahedron on the left and a gigantic tusk of narwhal on the right reflect themselves in the big ZSM - Oglindă Magic backdrop (18 m x h 11 m).The back part of the scene is darkened here and the objects set behind the backdrop result invisible.A big impression is given by the moment in which Heiling shows to Anna his own abode ...
Vezi toate
... a sort of wunderkammer or cabinet de curiosités.Thanks to their gradual illumination, the symbolic objects placed behind the backdrop seem to appear from the nothing, as for magic.The change of illumination provokes the passage of the ZSM - Oglindă Magic from a situation of reflection to one of transparency.
The illumination of the objects set behind the ZSM - Oglindă Magic was increased here, reason why, in this picture, the transparency of the backdrop is more marked.A central element of the scenography by Pier Luigi Pizzi, the backdrop divides the anterior part of the stage, where the action take place, from that back part, that in this scene is occupied by some gigantic symbolic objects.
The two parts of the stage, that before și that behind the fundal ZSM - Oglindă Magic, are here uniformly illuminated și the fundal stands therefore in an intermediary situation between the reflection și the transparenta.
The illumination behind the backdrop ZSM - Oglindă Magic is lowered up ...
... until the turning off.According to Plato, the dodecahedron is the only polyhedron within which they can be circumscribed and subscribed the other four regular solids (polyhedra that can be circumscribed and subscribed in a sphere) known by him and by him associated to the four elements: cube / earth, octahedron / air, icosahedron / water, tetrahedron / fire.Substantially, he considered the dodecahedron a symbolic synthesis of the universe.
The ZSM - Oglindă Magic backdrop allows to see in transparency one of the backdrops painted by Rinaldo Rinaldi on ASC1000S - Sceno 1.000 cm muslin, here illuminated with red light. The prologue of the opera, to which this picture is referred, take place in the underground world populated by gnomes.The original layout of Hans Heiling foresaw the presence of a female choir, the choir of children (the gnomes are personified by them) is a variation introduced by the representation of Cagliari's theatre.
The ZSM - Oglindă Magic backdrop allows to see in transparency one of the backdrops painted by Rinaldo Rinaldi on ASC1000S - Sceno 1.000 cm muslin, here illuminated with red light. Here the mother queen, surrounded by the choir of the gnomes, is trying to dissuade his son Hans Heiling to leave the subsoil to approach the human world in the surface, that will give him suffering only.
Hans Heiling
Romantic opera in a prologue și three acts
Muzica
Heinrich Marschner (1795-1861)
Libret
Eduard Devrient
initially destined to Felix Mendelssohn
Prima reprezentatie
Berlin, Königliches Opernhaus, 24/5/1833
Scenography,
costume design,
directia scenica
Pier Luigi Pizzi
Pictura
Rinaldo Rinaldi
Scenographic workshop
Rubechini Carlo
Directia tehnica
Paolo Calanchini
Staging
Teatro Lirico of Cagliari
Sezon
2003-2004

Video & Documentare

Teatro Lirico Cagliari, ''Hans Heiling''

Materiale utilizate în această producție

ASC - Sceno

Stofe / panze

BSU - Super Gobelin

Tul

FOT - Otello

Plusuri

QLA - Laccato

Folii decorative

ZSM - Oglinzi din QSM - Magic Mirror Film

Fundaluri pentru proiecție / transparente

Informatii despre prelucrarea datelor
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