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Romãnä

Teatrul San Carlo, ''Gustavo III''

Napoli

Philological reconstruction of the first version that Verdi was unable to stage, the opera is set under the direction of Ruggero Cappuccio in Naples in 1858, which the scenography by Nicola Rubertelli evokes with numerous references.The large BGO - Gobelin tulle backdrop which veils the whole proscenium reproduces the Toggle the table of contentsPalatul Regal din Napoli which is reflected on the wet pavement of Piața Plebiscitului.
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If lit from the front, the tulle totally shields the scene behind it, but the inversion of the lights brings out a flight of steps that rises up to a large framed oculus.Beyond the oculus, which opens in a large framed wall made of black COS - Oscurante molton, there are the reproduction of a sculptural group made of white marble ...
... and the branches of a maritime pine, an essential element in a panorama of the Gulf of Naples, which has been painted here on ASC - Sceno muslin.With a change of scene, the tulle backdrop and the framed wall with the oculus are raised ...
... and the top steps of the staircase are replaced by a revolving platform on which the masked ball takes place.The painted background of the Gulf is still visible, although the light that illuminated it is dimming, and the sculptural group is turned from behind following the rotation of the platform.
On the platform the floor of the ballroom is reproduced by means of a TCA - Capriccio print digital floor, which contributes to the re-enactment ...
... of the 19th century Neapolitan setting of the staging.During the masquerade ball, it takes place the assassination attempt on Gustav III, King of Sweden, a historical event of 1792 on which the libretto is inspired.Another scene is composed ...
... with the black framed backdrop with the oculus, but, instead of the painted landscape of the Gulf, there appears a Print digital pe fundal cu iluminare spate made of RNV - Nevada print digital film which reproduces a view from below of a baroque dome.
Philological reconstruction of the first version that Verdi was unable to stage, the opera is set under the direction of Ruggero Cappuccio in Naples in 1858, which the scenography by Nicola Rubertelli evokes with numerous references.The large BGO - Gobelin tulle backdrop which veils the whole proscenium reproduces the Toggle the table of contentsPalatul Regal din Napoli which is reflected on the wet pavement of Piața Plebiscitului.
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