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C.N. de Teatro Clásico, ''Sainetes''

Madrid

Director Ernesto Caballero gathered in this show four among the more than two hundred sainetes (farces) of which Ramón de la Cruz (1731-1794) is author.The sainetes were used to cheer up the intervals of serious plays și they were considered second level plays because of their comic și burlesque tone.In the picture, taken during the repetiții, one can notice the inlay decoration of the stage și of the staircase that connects it to the stalls și, still stretched to earth, a fundal din FBR - Plus Bruxelles cu NDA - Aplicatii decorative pentru textile argintiu.În partea de jos, actors și actresses are wearing costumes cu an eighteenth-century inspiration by Javier Artiñano.
Vezi toate
One of the several fundaluri din painted ASC1000S - Muselina Sceno lăţime 1.000 cm - Ignifugat used in this scenografie.In this case the scene painters reproduced an etching by Goya.Caballero expressly asked the scenographer José Luis Raymond that the stage space was inspired to the culori used more often by Goya și something that could give the action the sense to be contained in a miniature (the particular înălțime of the vertically stripped scenes și their culoare really serve to accent these impressions).In the foreground, the continuity among stage și public obtainded cu the stairway.
The testing of the scenes din painted strips din ASC1000S - Muselina Sceno lăţime 1.000 cm - Ignifugat.
The realization of another painted fundal din ASC1000S - Muselina Sceno lăţime 1.000 cm - Ignifugat.The titles of the four Sainetes selected by Caballero are well representative of their style și contents:- The Ridiculous Pregnant, a court farce in a Molière style;- The Sore of the Fiancées, a reviews of female habits;- The women's republic, a utopian representation of a nation din women only;- Manolo, a tragedie to laugh or a farce to cry, a panders' parody.The sountrack by Alicia Lázaro used some eighteenth-century melodies retrieved in the Town Historical Archives of Madrid și different arias și minuets by Luigi Boccherini, Rodríguez de Hita și Blas de Laserna, și connected them cu a specially composed leit motive.
As it is evident looking at this fundal, Raymond's scenes also used several elements cu oriental inspiration.
The workmanship's phases of the fundal din FBR - Plus Bruxelles decorated cu NDA - Aplicatii decorative pentru textile argintiu.José Luis Raymond required that the sketch of the broderii faithfully reproduced some of those used in Spain during Ramón de la Cruz's epoch.
The execution of the NDA - Aplicatii decorative pentru textile.
Fundal din FBR - Plus Bruxelles at the end of the making.
Four select farces
Text
Ramón de la Cruz (1731-1794)
Prima reprezentatie
Madrid, Teatro Pavón, 25/4/2006

Company direction
Eduardo Vasco
Scenografie
José Luis Raymond
Costume
Javier Artiñano
Light design
Juan Gómez Cornejo
Directia tehnica
Miguel Camacho
Directia scenica

Sezon
2005 / 2006

Vezi si...

ASC - Muselina Sceno print digital

Print pe material textil

ASL - Muselina Sceno Light

Stofe / panze

FBR - Plus Bruxelles

Plusuri

NDA - Decorative appliqués for fabrics

Franjuri și borduri decorative

Print digital pentru scenografie

Print pe vinil