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Romãnä

Teatro Carlo Felice, ''Flatul fermecat''

Genoa

A RTE - Temporale backdrop rear-illuminated with yellow light puts in prominence the outlines of the wooden panels painted with the reproduction of the unmistakable Emanuele Luzzati's graphic line.The Genoese staging frees the Zauberoper by Mozart and Schikaneder «... from the encumbrance of a Masonic simbology that, if too much insisted, makes it heavy maintaining its popular nature in the most beautiful sense. The first merit is that of the scenes by Emanuele Luzzati, in collaboration with Roberto Rebaudengo.»Giancarlo Landini, L'opera, No. 211.
Vezi toate
The RTE - Temporale Fundal iluminta din spate spreads on the scene, in this case, an orange light.«The marvelous costumes by Santuzza Calì add irony to the irony winking (only a few) to circus shows.»Giancarlo Landini, ibidem.

«Monostatos is a charlatan that gets down from to delicious fair wagon...»Giancarlo Landini, ibidem.The installation was produced in 2001 by Teatro Carlo Felice in order to celebrate Luzzati's eightieth birthday. Besides Glyndebourne installation of 1963, he undertook with Die Zauberflöte also in 1978, realizing with Giulio Gianini a famous cartoon, considered one of the masterpieces of the history of animation film.
A RTE - Temporale backdrop rear-illuminated with yellow light puts in prominence the outlines of the wooden panels painted with the reproduction of the unmistakable Emanuele Luzzati's graphic line.The Genoese staging frees the Zauberoper by Mozart and Schikaneder «... from the encumbrance of a Masonic simbology that, if too much insisted, makes it heavy maintaining its popular nature in the most beautiful sense. The first merit is that of the scenes by Emanuele Luzzati, in collaboration with Roberto Rebaudengo.»Giancarlo Landini, L'opera, No. 211.
«... and the Queen of the Night doesn't frighten anybody.This whole subject doesn't twist, it doesn't overturn; it amuses instead and serves the public really well, it satisfies them with the most superficial aspects of the fable, both that it looks for a more complex vision of the tale, both that it results able to penetrate its philosophy.All, scenographer, costume designer, scene director, they tell the story with taste, with respect and education, but without dust.»Giancarlo Landini, ibidem. The scene is realized with panels made of painted plywood, backdrops made of BGO - Gobelin tulle, of ASC1000S - Sceno 1.000 cm muslin and inserts of CPA - Boccascena.
Singspiel in doua acte
Muzica
Prima reprezentatie
Vienna, Theater auf der Wieden, 30/9/1791

Scenografie
Emanuele Luzzati
in collaboration cu Roberto Rebaudengo
Pictura
L'Atelier
Scenographic realizations
Props și Decors
Directia tehnica
Paolo Giacchero
Directia scenica
Daniele Abbado replaced by Boris Stetka

Staging
Sezon
2006, revival of the staging produced in 2001

Materiale utilizate în această producție

BGOP - Gobelin Teatro

Tul

CPA - Boccascena

Textile opace

Emanuele Luzzati

Maestrii ai scenei

RTE - Temporale

Folii retroproiecție