Catalog
Romãnä

Teatro Carlo Felice, ''Flatul fermecat''

Genoa

The Genoese staging frees the Zauberoper by Mozart și Schikaneder «... from the encumbrance of a Masonic simbology that, if too much insisted, makes it heavy maintaining its popular nature in the most beautiful sense. The first merit is that of the scenes by Emanuele Luzzati, in collaboration cu Roberto Rebaudengo.»Giancarlo Landini, L'opera, n. 211. A RTE - Temporale fundal rear-illuminated cu galben light puts in prominence the outlines of the wooden panels painted cu the reproductie of the unmistakable Emanuele Luzzati's graphic line.
Vezi toate
Sarastro și Pamina. In the background, some painted scenes din ASC1000S - Sceno lăţime 1.000 cm - Ignifugat. «The famous artist [Luzzati] returns to The Magic Flute after an interval of almost forty years. In 1963, in fact, he signed the minimalist instalare of Glyndebourne. For the large space of the Genoese stage he draws a Flute that seems got out of an illustrated children book, but the stylization of the line gives the page an amused irony.»Giancarlo Landini, ibidem.
«The marvelous costumes by Santuzza Calì add irony to the irony winking (only a few) to circus shows.»Giancarlo Landini, ibidem. The RTE - Temporale Fundal iluminta din spate spreads on the scene, in this case, a portocaliu light.

«Monostatos is a charlatan that gets down from to delicious fair wagon...»Giancarlo Landini, ibidem.The instalare was produced in 2001 by Teatro Carlo Felice in order to celebrate Luzzati's eightieth birthday. Besides Glyndebourne instalare of 1963, he undertook cu Die Zauberflöte also in 1978, realizing cu Giulio Gianini a famous cartoon, considered one of the masterpieces of the history of animation film.
The Genoese staging frees the Zauberoper by Mozart și Schikaneder «... from the encumbrance of a Masonic simbology that, if too much insisted, makes it heavy maintaining its popular nature in the most beautiful sense. The first merit is that of the scenes by Emanuele Luzzati, in collaboration cu Roberto Rebaudengo.»Giancarlo Landini, L'opera, n. 211. A RTE - Temporale fundal rear-illuminated cu galben light puts in prominence the outlines of the wooden panels painted cu the reproductie of the unmistakable Emanuele Luzzati's graphic line.
«... și the Queen of the Night doesn't frighten anybody. This whole subject [...] doesn't twist, it doesn't overturn; it amuses instead și serves the public really well, it satisfies them cu the most superficial aspects of the fable, both that it looks for a more complex vision of the tale, both that it results able to penetrate its philosophy. All, scenographer, costume designer, scene director, they tell the story cu taste, cu respect și education, but without dust.»Giancarlo Landini, ibidem. The scene is din panels din painted plywood, fundaluri din BGO - Gobelin, din ASC1000S - Sceno lăţime 1.000 cm - Ignifugat și inserts din CPA - Boccascena.
Singspiel in doua acte
Muzica
Prima reprezentatie
Vienna, Theater auf der Wieden, 30/9/1791

Scenografie
Emanuele Luzzati
in collaboration cu Roberto Rebaudengo
Pictura
L'Atelier
Scenographic realizations
Props și Decors
Directia tehnica
Paolo Giacchero
Directia scenica
Daniele Abbado replaced by Boris Stetka

Staging
Sezon
2006, revival of the staging produced in 2001

Vezi si...

BGOP - Gobelin Teatro

Tul

CPA - Boccascena

Textile opace

Emanuele Luzzati

Maestrii ai scenei

RTE - Temporale

Folii retroproiecție