Ecrane retroproiecție


Teatro Colón, ''Disney Magia y Sinfonía Ecran retroproiecţie made of RNV - Nevada used by the musical medley co-produced by Disney and the Teatro Colón of Buenos Aires.It measured 22 x h 13.5 m and was used ...
Vezi toate
... with a similarly sized RAR - Arizona screen.
Teatro alla Scala, ''Quartett'' Rear-projections on a big RNO - Notturno screen.
Teatro Español, ''Electra'' This scenography used two rectangular backdrops realized with the film for rear-projections RAR - Arizona and a third triangular backdrop realized with the same material, to which had been overlapped three backdrops of analogous shapes and size made of grey BGO - Gobelin tulle.
Teatro Verdi din Trieste, ''The Corsair'' Rear-projection filtered through a backdrop made of black BGO - Gobelin tulle ...
... on a Ecran retroproiecţie realized with the film RAR - Arizona.
Teatro La Fenice, ''I quatro rusteghi'' Three small Ecrane retroproiecţie realized with RAR - Arizona film.
Vancouver Opera, ''Stickboy'' Three Ecrane retroproiecţie made of the film RNV - Nevada print digital.
Gain is the reflection index of a screen.
In the case of Ecrane retroproiecţie it does not indicate reflection, but the flux of rear-projected light which is visible on the front side, it is also called transmittance.
It indicates the ratio between the light reflected from the screen and that reflected by a standard white surface used as a reference parameter:
a screen with 1.0 gain will reflect the same amount of light, while a screen with 1.5 gain will reflect 50% more light, and a screen with a 0.8 index will reflect 80% of the light.

The gain is measured in the point where the screen is at its brightest, that is watching it from a frontal and perpendicular position.
Moving to the side and watching the screen from an angled position, the brightness of the projection decreases.

''Is high screen gain good?
It is easy, and wrong, to jump to the conclusion that a high gain screen must be preferable to a low gain screen.

First of all, there is a compromise between gain and viewing angle.
In high-gain screens, the brightness of the projection decreases considerably with the increase of the viewing angle, while in low-gain screens the brightness varies much less perceptibly.

Furthermore, a high-gain screen does not generally reflect evenly red, green and blue and the anomaly varies with the viewing angle.

Lastly, screens with a gain higher than 1.0 have a certain degree of hotspotting which is accentuated with the increase of the gain.
Than means, that looking the screen from a frontal position, the central part of the image appears brighter than in the peripheral areas.
This is not very visible up to a gain of 1.3, but, beyond that limit, hotspotting can seriously disturb vision.

''[ ... ] the videophile looking for the optimum image quality [ ... ] will usually want to opt for a low gain screen.''

Source: Evan Powell, in
Unghi de vizibilitate
deschiderea lui evidentiaza cat de fidela este proiectia in cazul in care privitorul este pozitionat oblic fata de ecran

Imbinare termica
pentru imaginea retroproiectata este fundamental sa nu existe interferente, astfel ca se realizeaza Suduri fără suprapozare
Confectionare la cerere
orice formă și fără limite dimensionale
conform Normei Europene EN 13501·1

Video & Documentare

Vetta TV, small rear-projection screen

Acest material a fost folosit pentru...

Auditorio Ministerio Rel. Exteriores

Cortine pentru spatii diverse

Ecran retroproiecție

Spații comerciale.

Teatro alla Scala, ''Quartett''

Opera lirica

Teatro Colón, ''Disney Magia y Sinfonía''


Teatro Real, ''Las golondrinas''

Opereta, zarzuela, musical

Teatro Real, ''O corvo branco''

Opera lirica

Teatrul La Fenice, ''Cavaleria rusticană''

Opera lirica

Teatrul San Carlo, ''Tristan und Isolde''

Opera lirica

Vancouver Opera, ''Stickboy''

Opera lirica

Informatii despre prelucrarea datelor