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Teatro Verdi di Pisa, ''Paride ed Elena''

Pisa

The scene is closed on three sides according to the Closed set scheme.In the big frame, the painting Leda and the Swan by Léon Riesener (1808-1878), that Rinaldo Rinaldi reproduced on ASC - Sceno muslin.In the foreground, partly covered by red HSE - Tempesta silk drapes ...
Vezi toate
... six mirrors that the scenographic workshop built using as many silver QSR - Miroplan mirror panels.The large walls made of marble and mirrors, made with silver QSF - Miroflex panels and antiqued with a surface treatment ...
... quote the galeries des glaces of the Baroque and Rococo noble residences.The back walls, two wheeled Flats, are sliding and open onto a large Fundal cu iluminare spate made of rear-projection film RAR - Arizona ...
... here also illuminated from the front in its lower part.Right, painted on ASC - Sceno canvas by Rinaldo Rinaldi, a reproduction of Mars Being Disarmed by Venus (1825) by Jacques-Louis David.The large painting leaves the scene and ...
... a backdrop made of BGO - Gobelin tulle is lowered.It is painted with architectural motives that appear in superimposition on a rear-projection RAR - Arizona screen ...
... on which a sea landscape is rear-projected.The backdrop made of BGO - Gobelin tulle has been painted with clouds, that are highlighted when the backlighting goes down and the front one is increased.
The tulle is lifted as two sliding Flats are closing the back of the scene.Composed in 1770, during the second and longer Gluck's period of Viennese permanence, Paride ed Elena is the third opera that he created in collaboration with the livornese librettista Ranieri de' Calzabigi ...
... who worked with him in that revolutionary moment of renewal that in the history of the music is known as ''Gluck's operatic reform'' and that includes the most famous Orfeo ed Euridice, dated 1762, and Alceste, dated 1767.
Paride ed Elena
Drama for muzica in cinci acte
Muzica
Christoph Willibald Gluck (1714-1787)
Libret
Ranieri de' Calzabigi
from the Heroides by Ovidio
Prima reprezentatie
Vienna, Burgtheater, 3/11/1770
Scenography,
costume
Lorenzo Cutùli
Pictura
Rinaldo Rinaldi
Light design
Fiammetta Baldiserri
Directia tehnica
Piero Benetti
Directia scenica
Andrea Cigni
Staging
Teatro Verdi di Pisa
Co-productie
Progetto Opera Studio
Teatro Carlo Goldoni of Livorno
Teatro del Giglio of Lucca
Opéra Royal de Wallonie of Liège
Sezon
2007/2008

Video & Documentare

Rinaldo Rinaldi: the magic of the painted scene

Materiale utilizate în această producție

ASC - Sceno

Stofe / panze

BGO - Gobelin

Tul

Closed sets

Elemente de scenă

Confectionare fără falduri

Ţesătură: tipuri de executare

COS - Oscurante

Textile opace

Fundaluri cu iluminare spate

Fundaluri din folie de vinil: tipologii

HSE - Tempesta

Matase și satin

QSF - Miroflex

Materiale cu reflexii de oglindă

QSR - Miroplan

Materiale cu reflexii de oglindă

RAR - Arizona

Folii retroproiecție

Informatii despre prelucrarea datelor
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