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Romãnä

Mascatura scena

 

Mascatura scena cu montare clasicăThe angled position of the wings has the assignment to close the view of the audience on the service areas of the stage, also allowing a sufficiently easy access to the stage from every side position.A. curtainB. valanceC. teaserK. wingL. top, borderM. backdrop1. proscenium arch, portal2. proscenium, apron3. space of the scene
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Mascatura scena cu montare dreaptăIt is used in the installations in which it is necessary an easy access to the stage of many perfomerses contemporarily, for instance in the in ballets installationsIn order to avoid the audience to see the service areas, the wings must be installed in a closer way și, therefore, they are usually installed in a higher quantity in comparison to that of the classical Mascatura scena .A. curtainB. valanceC. teaserD. tormentor or framed wing of the curtainE. proscenium wingK. wingL. top, borderM. backdrop
Mascatura scena cu montare cutieThe installation of the wings according to this scheme allows, if necessary, to widen the space of the scene.The passage with open curtain of actors and scenes through the space of the scene and the service areas is usually avoided, because the view on the service areas is discovered by the inevitable move of the wings.A. curtainB. arlecchinoC. valanceF. framed and decorated valanceK. wingL. top, borderM. backdrop
Mascatura scena unui teatru italian istoric, Teatro Sociale din Como.It was made of COS - Oscurante according to normal modalities (Chinga, Capse and Bride on the top, hems on the sides), and it is composed by eighteen parts: - twelve wings (six for each side) size 3 x h 9 m;- five top masking 19 x h 3 m; - a backdrop 19 x h 10 m.The Mascatura scena is installed here in a classical way but without the first four tops, whose absence leaves so to glimpse the ancient wooden grid of which the stage of the Teatro Sociale is endowed.
The Mascatura scena is here installed ''straight'', with the disposition used above all for the intallations of the classical ballets, to allow an easy passage of many ballet performers during the representations.To avoid to see the service areas of the stage, the wings are installed closer among them than in the ''classical'' way.
The Mascatura scena of the Teatro Sociale of Como is here lifted at the înălțime of the Podul de scena.The parts of the stage masking have to be moved easily in order to follow quickly the scenographical needs of the shows.
The Mascatura scena of the Teatro Sociale of Como was prepared here in order to allow the instalare of a scenografie.«In this situation we used the fundal COS - Oscurante of the Mascatura scena to line the back of a fundal pentru retroproiecție din folie RTE - Temporale, that during the show had to work exclusively cu proiecție faţă și lumină frontală» explains the technical director Luca Tombolato.«We installed the anterior wings perpendicularly to the proscenium, in order to close the gaps amongst them, while those toward the back of the stage went closer to frame the rear-rojections fundal.»
The back tops of the stage of the Teatro Sociale seen from the first catwalk of the stage.
The Mascatura scena has the assignment to delimit the space of the scene from the service areas of the stage that have to stay hidden to the view of the spectator.
Normally it is not illuminated and, when it happens, it doesn't have to reflect the light, but to absorb it.
Besides, it has to darken, that is to serve as a barrier to any light set behind it (scene lights și lights of the service areas).
It is usually manufactured cu negru fabrics, that have to be darkening și light absorbing, like:

Acest material a fost folosit pentru...

Claudio Baglioni, ''Q.P.G.A.''

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