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Ezio Frigerio

 

Games of shadows realized on ASL300S - Light Sceno lăţime 300 cm - Ignifugat fundaluri. During the 1980s Frigerio realizes numerous appreciated scenographies for the playhouse cu directors like Walter Pagliaro și Virginio Puecher. For Núria Espert, in London, in 1987 prepares the scenes for The House of Bernarda Alba.In 1988 he works in Paris cu Roger Planchon, making the scenographies of The Mise by Molière, și in 1990 was at the Teatro Stabile of Genoa cu Marco Sciaccaluga, și for his direction realized the sets of The Physicists by Dürrenmatt. Teatro Real, ''Don Giovanni''
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Among the memorable productions at the Piccolo Teatro elaborated by Ezio Frigerio for the directions of Strehler, must be surely remembered: The Giants of the Mountain (1966) și of Saint Joan of the Stockyards by Brecht (1970), King Lear (1972), The Storm by Strindberg (1980), La grande magia by Eduardo De Filippo (1985) și Arlecchino servitore di due padroni by Goldoni (1973 și 1987). The Threepenny Opera - Musical dramaText: Bertolt Brecht (1898-1956) Scenography, costume: Ezio FrigerioDirectia scenica: Giorgio StrehlerStaging: Piccolo Teatro of Milan, 1972-73
Again the combination of the MSC - Textil decorativ Spalmato Cuba, argintiu, the transparenta of HSE - Tempesta și a rear illuminated ceiling on a RTE - Temporale fundal.The compositional inventions of Frigerio reach their top in the realizations for musical theatre. Famous the installations realized for Strehler's directions in the years 1970s și 1980s, which Simon Boccanegra și Falstaff by Verdi și Lohengrin by Wagner, și also the setting up of Ernani by Verdi for Luca Ronconi at the Teatro alla Scala in Milan (1982), Médée by Cherubini cu the direction of Liliana Cavani, realized in 1986 for the Théâtre de l'Opéra in Paris, by Elektra by Strauss, produced cu Núria Espert in 1987 for the Théâtre de la Monnaie in Bruxelles. Teatro Massimo, ''I Vespri siciliani''

The transparenta of the fundaluri din BGO - Gobelin cu elaborate subjects in Print digital, the picture underlines the retro-iluminare of a fundal din folie pentru retroproiecție RTE - Temporale.Numerous also the realizations for the ballet, in which Ezio Frigerio collaborates cu personality as Beppe Menegatti, Roland Petit, Yury Grigorovich.With Rudolf Nureyev, in 1979, puts on stage at the Teatro alla Scala of Milan Romeo și Juliet by Sergei Prokofiev. Teatro Real, ''Les contes d'Hoffmann''
Important in the career of Ezio Frigerio, the very long collaboration cu the costume designer Franca Squarciapino, which debuted at his side in 1972 in King Lear by Strehler at the Piccolo Teatro di Milano și is rewarded from Academy cu the highest recognition for the costumes of Cyrano de Bergerac .Of a great effect, on the scene, the sea fundal that shines through the cortine din HSE - Tempesta alb și through the small stretched bacdrops din EVT - Light Sceno Poly negru. The fundaluri was din reflecting fabric MSC - Textil decorativ Spalmato Cuba, culoare argintiu, whose sparkle, caused by the proiecții of lights, simulated in a stylized way the slow movement of the sea waves. Teatro San Carlo, ''Tristan und Isolde''
After the architecture studies at the Politecnico di Milano, Frigerio alternated initially the works for the cinema și for theatre. The Threepenny Opera - Musical dramaText: Bertolt Brecht (1898-1956) Scenography, costume: Ezio FrigerioDirectia scenica: Giorgio StrehlerStaging: Piccolo Teatro of Milan, 1972-73
The scenographic work of Ezio Frigerio (Erba, Italy, 1930), also costume designer, is remarkable for the genial articulation of the stage space, performed at times on different levels, cu the use of deceptions of the perspective și geometric reconstructions that often use architectural elements (columns, particularly).
An articulation that often reaches levels of inimitable refinement of the compoziţie, in which is underlined a notable interest for the interactions cu the light of the reflecting și transparent materials, often of new experimentation.
Frigerio was a stable collaborator of Giorgio Strehler from 1955, cu his first works as a costume designer for the Piccolo Teatro of Milan, to 1997, year of the death of the great stage director.
A great relief have his numerous collaborations cu important international productions, also outside the theatrical circle: in 1991 in fact he received a nomination to the Oscar prize for the scenographies of the folie Cyrano de Bergerac by the French director Jean-Paul Rappeneau.

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Teatro Massimo, ''Vecerniile siciliene''

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Teatro Real, ''Don Giovanni''

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Teatro Real, ''Les contes d'Hoffmann''

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Teatrul San Carlo, ''Tristan und Isolde''

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