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Robert Wilson

 

From the formative run of Robert Wilson, one could draw the plot of a fairy theatrical pièce that became a model: the parable of a youth that thanks to the theater overcomes his own fears and tensions and becomes a ruler, over that of himself, of a work in which he is recognized a master today. Düsseldorfer Schauspielhaus, ''Der Sandmann'', 2017 Wings made of painted ASC - Sceno fixed on black USC - Nylonet.Fundal iluminta din spate made of RNV - Nevada.
Vezi toate
With the help and the teachings of a teacher of dance he recovers from a small handycap (up to seventeen years he is suffering from stuttering).He will use this experience with the disabled children and in the laboratories of theater for the infancy. Düsseldorfer Schauspielhaus, ''Der Sandmann'', 2017 Cortina cu deschidere greaca simpla made of EVA - Aurora 97. holo grey with falduri verticale 100%.
The game of the theater that becomes the same theater. Robert Wilson begins to care about it it as a child in the garage of his house, where it has as companion of games the maternal grandmother, who will also stand on his side when he will become adult in several professional theatrical performances, takin part, initially, in his same adventure. Teatro Real, ''O corvo branco'', 1998 Ecran retroproiecţie manufactured with the film RTE - Temporale.
He abandons his studies of economy to which he is started by the family to devote himself to the figurative arts, toward which he feels to be more interested and, in order to study architecture, in 1962 he moves to New York where he meets Martha Graham, the ''mother'' of the modern dance, with which he collaborates and performs the first important scenographical experiences. Teatro Municipal de São Paulo, ''Macbeth'', 2013 Fundal iluminta din spate RNV - Nevada 17 x 9 m.Backdrop made of grey BOP - Opera 17 x 9 m (cyclorama gauze).Mascatura scena composed by 24 parts made of FOT - Otello with Confectionare fără falduri.
The Years 1960s of Wilson are frantic, his internal search brings him to complete attempts in a multiplicity of directions: he studies painting in Paris, he shoots a short film, then a film that remained incomplete.He joins the community of Arcosanti, founded in Arizona by the utopian Turinese architect Paolo Soleri, he is forced to take care of a strong existential crisis in a clinic for mental illnesses, he creates a theatrical laboratory whose representations develop on the roofs of the buildings: the Byrd Hoffmann School (Mrs. ''Byrd'' Hoffman was the teacher of dance that had recovered him from the stuttering...). Teatro Municipal de São Paulo, ''Macbeth'', 2013
In the 1969 Robert Wilson puts on stage what he considers his first show: The King of Spain, whose new-Dadaism receives an unexpected success.In the action it doesn't substantially happen anything, but the amazing and contradictory three settings (a beach, a Victorian living room and a cavern), apparently populated by a rich collage of objects, people, lights and casual shapes, open the road to manifold and powerful possibilities of reading. Teatro Municipal de São Paulo, ''Macbeth'', 2013
In 1971 the Wilson case explodes in Europe, and he suddenly becomes a cult director.Deafman Glance, opera of the silence in which the scenes follow him in front of the eyes of a deaf-mute, conquers the public with the dilated slowness and exhausting flowing of the images, forcing the spectators to lower in a visual and temporal dimension that has a deep impact. Teatro alla Scala, ''Il ritorno di Ulisse in patria'', 2011 A backdrop made of ASC1220S - Sceno lăţime 1.200 cm - Ignifugat painted by Paolino Libralato, 22 x 12 m.
In 1974 he presents at the Festival dei Due Mondi of Spoleto A Letter of Queen Victoria, whose musical content serve as a transition toward the following and famous Einstein on the Beach, that Wilson presents at the 1976 Festival d'Avignon. The music by Philip Glass becomes here inseparable from the stage action and it develops with an obsessive score that is object of several protests. Teatro Paulo Autran, ''Garrincha'', 2016 Cortina cu deschidere greaca simpla made of painted 03. grey BSU - Super Gobelin with Sisteme de sine TRX10 with manual opening.
Director, scenographer și actor, Robert Wilson (Waco, Texas, 1941) is a complete range theatre master whose work, from the end of the Sixties, crossed și often drove the theatrical avant-garde.
Wilson doesn't face the contradictions of our time in a direct way, through a conventional narration.
To make them appear on the surface he split the contemporaneity up in thousand kaleidoscopic facets through a formal search that uses, for instance, the precision of the gestures of the actors și the refinement of the lights.
It results a theater that doesn't tell according to its traditional canons, but builds a structure din visual și auditory references that act on the inner being of the spectator.
The scenographies of Wilson are often minimal, always adverse to the naturalism și finalized to the creation of a theater that doesn't aim to give answers but, rather, to set questions through the images, as Beckett did cu the words.

Materiale utilizate în această producție

Düsseldorfer Schauspielhaus, ''Der Sandmann''

Teatru-proza

Festival dei Due Mondi, ''Letter to a Man''

Teatru-proza

Teatro alla Scala, ''Il ritorno di Ulisse in patria''

Opera lirica

Teatro Municipal, ''Macbeth''

Opera lirica

Teatro Real, ''O corvo branco''

Opera lirica

Teatru de Națiuni, ''Pushkin's Fairy Tales''

Teatru-proza