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Romãnä

Teatro Colón, ''Hagith''

Buenos Aires

The contrast between ancient și modern is the theme of the idea of the mise en scène și of its scenographical representation.The large windowed wall cu the functionalist style divides the frontal world of the old King, sick și dying, și that of the young Prince, visible through the windows și illustrated by proiecții on a large 22 x 16 m Ecran retroproiecţie din folie RAR - Arizona.The proiecții show the urban landscape of Buenos Aires revised into a collage that evokes the închis expressionist skyline of Metropolis - the modern world of the Prince is in fact placed in the Years 1920s of the Twentieth Century, those of the famous folie by Fritz Lang.
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The old King spends his last days in a claustrophobic alcove that is filled cu objects in a confusion of styles that puts the epoch in a timeless past.
The contrast between the two epochs, that ancient și the modern one, is represented by the superimposed sliding, but without interference, of two distinct layers of proiecție.On the windowed wall there is a proiecție față filtered by a mask that prevents the reaching of the Ecran retroproiecţie RAR - Arizona.
Proiecții faţă on the wall are depicting the ancient world of the King, while the city that is looming through the windows is that cold și technological of the epoch of the Prince, that advances to replace the previous one.
The High Priest, la dreapta, sends the young virgin Hagith to the King because, coupling cu him, she will defeat his disease și will avoid his imminent death.But she will fall in love cu the young Prince și she will refuse to save the King cu his own sexual sacrifice.As a result of the refusal, the King will die și Hagith will be sentenced to death.
The idea of ​​the mise en scène elaborates expressly that of the folie Good Bye, Lenin!, In which the protagonist, a women of Berlin, wakes up from a coma that lasted eight months during which an epochal change happens - the fall of the Wall in 1990.The fact is hidden to her to avoid a shock that could be fatal, și therefore her life continues in a past that doesn't exist any more.
The whole court, who wears the clothing of the epoch of the Prince, agree to hide the changing of the times to the dying King.In order to continue the representation of the golden limbo, they all appear to the King cu pompous clothes belonging to a mythical și not clearly identifiable past, that is a sort of an exaggerated și reinterpreted in a farcical way Renaissance.
The theme of the proiecții față often refers to the desease of the King și to its inexorable evolution.So some ancient anatomical pictures follow one onother, pictures cu organs - the heart in this case - veins, blood cells și sometimes the electrocardiogram tracing.
Hagith
Opera intr-un act
Muzica
Karol Szymanowski (1882-1937)
Libret
Felix Dörmann
Prima reprezentatie
Warsaw, Teatr Wielki, 13/5/1922
Scenografie
Luigi Scoglio
Costume
Michał Znaniecki
Joanna Medynska
Light design
Bogumił Palewicz
Direcția tehnică
María Cremonte
Direcția scenică
Michał Znaniecki
Staging
Teatro Colón of Buenos Aires
Sezon
2012

Materiale utilizate în această producție

Ecrane retroproiecție

Ecrane pentru retroproiecție

RAR - Arizona

Folii retroproiecție

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