Каталог
Русский

Театр Real, ''Белый ворон''

Мадрид

The curtain opens on a large backdrop made of painted ASC - Sceno muslin.It will be the background to the Knee Plays, the scenes that Роберт Уилсон uses as opening and interludes between the main scenes in various plays by him.The first Knee Play is titled The Writer with two ravens ...
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... and in it the Writer introduces the main theme of the opera, the voyages of exploration and geographical discoveries.The action then leaps back to 1499, to the court of the rulers of Portugal ...
... where the announcement of the discovery of India and of its treasures.But the announcement mentions the grief that the dangerous journey caused to the explorers and the violence they inflicted on indigenous peoples.The gloomy interior of the royal palacet is represented with stylized a loggia, a framed backdrop ...
... which columns stand out against the light of a Бэклит-циклорама made up of RTE - Temporale film.In addition to the courtiers, the Queen, Vasco da Gama, the King ...
... and a Cardinal are on stage.The rear illuminated backdrop and the backlight are among the stylistic elements preferred by Robert Wilson.He will also use them frequently in his subsequent productions ...
... in which his proverbial scenographic minimalism, actually of extraordinary visual richness, will begin to use the new lighting fixtures developed with LED technology ...
... which will allow the creation of strips and light bars with which Wilson will accentuate the stylization of his stagings even more.The Бэклит-фоны, with their amazing chromatic variations and the backlight ...
... will remain a constant in any case.The sailors are those of the exploratory voyages of the first period of the modern age, while the masked characters behind them represent dancing African natives.The opera is in fact ...
White Raven
Опера в пяти актах
Музыка
Филип Гласс (1937)
Либретто
Luísa Costa Gomes
Премьера
Лиссабон, Teatro Camões, 26/9/1998
Сценография,
костюмы,
постановка
Роберт Уилсон
Техническое руководство
Manuel Fontanals
Монтаж
Королевский Театр, Мадрид
Совместное производство
Королевский театр Мадрид
Всемирная выставка (1998) Лиссабон
Сезон
1998 / 1999

Используемые материалы

Пошив вгладь (без складок)

Типологии изделия из ткани

Экраны обратной проекции

Экраны обратной проекции

ASC - Sceno

Холсты

Robert Wilson

Мастера сценографии

RTE - Temporale

Материалы для рир-проекции

Set pieces

Элементы сцены

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