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Romãnä

Teatro Amilcare Ponchielli, ''Ernani''

Cremona

A detail of the curtain of the setting which imitates, by magnifying them, the traits of a seventeenth-century engraving. The height of the head is about 2 m.The pictorial part of the scenography, which in addition to the curtain included a large central backdrop and two lateral backdrops with damask motifs made of ASC - Sceno muslin, was painted ...
Vezi toate
... in the large and historic painting room of the Teatro Comunale of Modena. It is probably the last workshop of this kind to be still active in the position foreseen by the architecture of the ''Italian theater'', that is under the roof of the theater ...
... and above the ceiling of the main hall of the theatre.Also called ''soffittone'', it was used for the realization of the painted backdrops because of the ampleness of the floor that reproduced in the shape and size ...
... the floor of the underlying hall. The ''soffittone'' of Modena is shaped like a horseshoe, has a depth of 24 m and a maximum width of 17 m.The only way that the scenography painters can use to verify their work ...
... is to climb on this wooden ladder, that probably has the same age of the theater, which was inaugurated in 1841. The scenography workshop is dedicated today to the scenographer from Modena Koki Fregni (1930-1994), the teacher of the scenographers and painters from Modena Maria Grazia Cervetti ...
... and Rinaldo Rinaldi, here in the foreground, in turn the teacher of the painter who painted the scenes of this setting.For functional reasons, the ceiling communicated with the Podul de scena: thanks to the connection it was possible to lower the backdrops directly on the stage.The wooden wall visible at the bottom, which in fact separates the ''soffittone'' from the Podul de scena ...
... is located exactly on the arch of the proscenium.The five centuries of the theatrical pictorial tradition of the Italian region Emilia, that from Sebastiano Serlio reach our days with the painters from Modena Koki Fregni, Maria Grazia Cervetti and Rinaldo Rinaldi, have an heir who is native... Japanese, from Shizuoka. Keiko Shiraishi, who is also charged with the maintenance of the scenography workshop ...
... of the Teatro Comunale of Modena, is aware of her own responsibilities: «... I reached Modena in 1997 and I hadn't the chance to know Koki, but I feel his presence in the workshop, and it's a big help when I have some difficulty with the backdrops.»In the photo, Keiko Shiraishi and Maria Grazia Cervetti are completing, in the scenography workshop of the Teatro Comunale of Modena, a 17,40 x h 9,50 m painted backdrop made of black BGO - Gobelin tulle.
Ernani
Drama for muzica in patru acte
Muzica
Giuseppe Verdi (1813-1901)
Libret
Francesco Maria Piave
from the drama Hernani, ou lÂ’honneur castillan de Victor Hugo
Prima reprezentatie
Veneția, Teatrul La Fenice, 9/3/1844
Scenografie
Dario Gessati
Costume
Valeria Donata Bettella
Scenographic realizations
Keiko Shiraishi
in the workshops of Teatro Comunale Luciano Pavarotti of Modena
Light design
Fiammetta Baldiserri
Directia tehnica
Primo Federici
Directia scenica
Andrea Cigni
Staging
Teatro Amilcare Ponchielli of Cremona
Co-productie cu
Teatro Grande din Brescia of Brescia
Teatro Sociale din Como of Como
Teatro Fraschini of Pavia
Sezon
2012/2013

Materiale utilizate în această producție

ASC - Sceno

Stofe / panze

BGO - Gobelin

Tul

COS - Oscurante

Textile opace

Mascatura scena

Cortine acustice

Informatii despre prelucrarea datelor
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