English

EUR, ''XI Quadriennale d'Arte''

Rome

Big and swaying backdrops made of BGO - Gobelin overhang other backdrops made of white ASC1000S - Sceno width 1.000 cm - Flame retardant vertically suspended and used for framing the works in exposure.From the central historical nucleus of the exposure six sections radiate out, with works of thirty artists each one, devotes to the contemporary tendencies of the Italian art of the first Years 1980s.
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Small backdrops made of white ASC600S - Sceno width 600 cm - Flame retardant frame the works in exposition.
Small backdrops made of white ASC600S - Sceno width 600 cm - Flame retardant frame the works in exposition.

A big suspended backdrop, realized with white ASC1000S - Sceno width 1.000 cm - Flame retardant.The exposure had a central nucleus constituted by the historical section, that had been recapitulating the emergencies for the Years 1950s to the 1980s, stopping by the experiences of the old teachers Luigi Veronesi and Mario Radice, to the poor art of Giulio Paolini, Michelangelo Pistoletto, Jannis Kounellis, Piero Gilardi and Mario Merz, to the conceptual art by Franca Pisani and Luigi Ontani, to the arte informale by Emilio Vedova and Ennio Morlotti, to the abstact art of Carla Accardi, Giulio Turcato and Pietro Consagra, al realism by Ernesto Treccani and Renato Guttuso, to reach the trans avant-garde of Enzo Cucchi, Francesco Clemente, Sandro Chia, Nicola De Maria and Mimmo Paladino.
Big and swaying backdrops made of BGO - Gobelin overhang other backdrops made of white ASC1000S - Sceno width 1.000 cm - Flame retardant vertically suspended and used for framing the works in exposure.From the central historical nucleus of the exposure six sections radiate out, with works of thirty artists each one, devotes to the contemporary tendencies of the Italian art of the first Years 1980s.
A big ceiling backdrop made of grey BGO - Gobelin.With today's eyes, the images of this preparation would seem not to say again anything.In reality that of Pellegrin was a project innovative espositivo, that a thick use of the fabrics of the theatrical scenography did, with backdrops of gigantic dimensions that the transparencies of the materials exploited for remodeling the spaces.This big suspended tulle backdrop seems, for instance, to recall - casually or deliberately? - the veils of the '' fantastic superior '' by Luciano Damiani.
XI Quadriennale - Roma, EUR - Palazzo dei Congressi
May - August 1986

The 1986 exposure was very wide, it was articulated in seven sections, and the 400 present artists represented the whole contemporary panorama of the Italian visual arts in all the situations and the tendencies of the artistic search.

The preparation conceived by the studio of the architect Luigi Pellegrin (1925-2001) was a clear but unobtrusive presence, an ideal frame that valorized the exposure working on the same avant-garde plain of the contents, without diverting, nevertheless, the attention from the same contents.
Exhibition project
Studio Pellegrin & Associati

See also ...

Acoustic curtains

Acoustic curtains

BGOP - Gobelin Teatro

Scrim and bobbinet fabrics

Flat making

Fabric: typologies of workmanships