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Teatro del Canguro, ''Pinocchio''

Ancona (Italy)

Two of the files elaborated with channel mixing by the set designer Fabrizio Valentini, who wanted to obtain an effect bordering on monochromatic that recalled both the moods of the story by Collodi and the famous miniseries by Comencini.The files were used for the ASC - Sceno digital printing muslin which ...
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... suitably framed, were used to build this small size Closed set.The inclined practicable area was also covered with the same ASC - Sceno digital printing muslin.The printed perspective, which exacerbates the real one, is superimposed by real objects endowed with identical chromatic coherence.
The three Framed Flats, hanging from the Fixed pulleys, have the possibility to be maneuvered at sight ...
... and to be open up to 180° in order to have a scene with a whole floor of 9 x 4 m.
The pictures have been taken during the realization of the installation. Each of the three Flats made of framed muslin can be replaced by a Rear-projection screen made of RTE - Temporale ...
... which can also be used in front projection.The Flats are raised ...
... and the RTE - Temporale screens appear, already installed behind them.The use of videos allows to compose the narration alternating the inside and the outside in an extremely effective and suitable way for the surreal scenes of the story.The surface of the practicable is inclined by 10° ...
... and is divided in two parts that can be lifted up to 90°.They are used both as coverage for the animation and as a support, in the reverse, for objects useful for the changes of the scenes.
Show of ''teatro di figura'' and ''teatro d'attore'' for childrens from 5 to 10 years
Text
Lino Terra
Fabrizio Valentini
Renato Patarca
Nicoletta Briganti
Natascia Zanni,
from the homonym novel by Carlo Collodi (1826-1890)

Scenography
Figures and animation
Renato Patarca
Nicoletta Briganti
Stage direction
Lino Terra

Season
2006/2007

The Teatro del Canguro is a professional company that devotes itself to the theater for children, whose productions since 1980 are characterized by an original and modern language that privileges the use of the images and uses mixed techniques, from those traditional of the so-called ''teatro di figura'' (animate objects, rag dolls, outlines, Chinese shades, etc.), to the projections, to the mixings of lights and sounds, up to the 'teatro d'attore', inserted however in a particular dramaturgical context.

Materials used in this production

ASC - Sceno digital printing

Printing on fabrics

Fixed pulleys

Rigging systems

Rear-projection screens

Rear-projection screens

RTE - Temporale

Rear-projection films

Information on data processing