Catalogue
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Teatro La Fenice, ''The Sleepwalker''

Venice

A spectacular view of the Jungfrau in one of the three photographs chosen by set designer Massimo Checchetto as a background ...
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... to be printed on as many Rear-illuminated backdrops made of RNV - Nevada digital printing film.As is evident from the costumes and the bus, the direction of Bepi Morassi has transposed the temporal setting of the opera into Switzerland in the 1950s to which the hyper-realistic choices of the scenography adapt perfectly.
A second alpine view, this time shot from above, has been used for a RNV - Nevada digital printing backdrop larger than the previous one and it will be the background ...
... of a panoramic terrace with breathtaking views and reachable by cable car.With proper lighting ...
... the large Digital printing rear-illuminated backdrop ...
... may take on an appearance gradually ...
... more twilight or even ...
... a nocturnal one, in this interior where the panorama is seen through the large glass wall of a hotel, beyond which there is also the sleepwalker Amina.The moon and the lunar light are rear-projected onto the Rear-illuminated backdrop.The scene also uses ...
The Sleepwalker
Melodrama in two acts
Music
Vincenzo Bellini (1801-1835)
Libretto
Felice Romani
from Eugène Scribe and Germain Delavigne
First night
Milan, Teatro Carcano, 6/3/1831
Scenography
Massimo Checchetto
Costume design
Carlos Tieppo
Light design
Vilmo Furian
Stage direction
Bepi Morassi
Staging
Teatro La Fenice of Venice
Season
2012

Materials used in this production

Digital printing rear-illuminated backdrops

RNV - Nevada

Rear-projection films

RNV - Nevada digital printing

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