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Teatro della Pergola, ''The Father''

Florence

The sketch by the scenographer Alessandro Camera, who planned to use the 460. purple red FMB - Macbeth 400 velvet.The vertical velvet artifacts are 10 wings 14 m high and from 1 ti 3 m wide, all made with 190% vertical fullness.At the top, not visible in the sketch, there is a 13 x h 3 m valance in two parts made with 190% concentric fullness.
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The mounting on the stage of the Teatro della Pergola of the scenographic carpet made of red FMB - Macbeth 400 velvet and of the valance with concentric fullness ...
... which is brought up here.And when the installation is ended ...
... here is the scene, complete of all the props.A Rear-illuminated backdrop made of RAR - Arizona is used to create the different external light conditions visible through the large window from which, at times, we witness some snowfalls against the light, that are simulated with the use of QNS - Bianca synthetic snow.The wings made of FMB-FMB - Macbeth 400 velvet can be moved ...
... along a Kompas track system and they assume various positions during the unfolding of the tragedy.The stage carpet, which measures 15 x 10 m ...
... is also made of red FMB - Macbeth 400 velvet and it lays on the floorboard in a rather wavy and rippled way.All the props, the pendulum, the table, the sofa, the armchairs ...
... have lost their verticality and are in a precarious balance, like the mental and emotional one of the protagonist.The sofa and the armchairs are covered with the same velvet that envelops the entire scene.
The sketch by the scenographer Alessandro Camera, who planned to use the 460. purple red FMB - Macbeth 400 velvet.The vertical velvet artifacts are 10 wings 14 m high and from 1 ti 3 m wide, all made with 190% vertical fullness.At the top, not visible in the sketch, there is a 13 x h 3 m valance in two parts made with 190% concentric fullness.
Tragedy in three acts
Text
August Strindberg (1849-1912)
First night
Copenhagen, Casino-teatern, 1887

Scenography
Alessandro Camera
Costume design
Andrea Viotti
Light design
Michelangelo Vitullo
Technical direction
Luigi Perla
Stage direction

Staging
Season
2018

Materials used in this production

1K - Kompas

Track systems

Concentric fullness

Fabric: tailoring types

COS - Oscurante

Duvetyne and blackout fabrics

FMB - Macbeth 400

Velvets

QNS - Bianca

Decorative materials

RAR - Arizona

Rear-projection films

Rear-illuminated backdrops

Vinyl backdrops: typologies

Information on data processing