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Ezio Frigerio

 

Games of shadows realized on ASL300S - Холст Sceno Leggera ширина 300 cm - Негорючий backdrops. During the 1980s Frigerio realizes numerous appreciated scenographies for the playhouse with directors like Walter Pagliaro and Virginio Puecher. For Núria Espert, in London, in 1987 prepares the scenes for The House of Bernarda Alba.In 1988 he works in Paris with Roger Planchon, making the scenographies of The Mise by Molière, and in 1990 was at the Teatro Stabile of Genoa with Marco Sciaccaluga, and for his direction realized the sets of The Physicists by Dürrenmatt. Театр Real, ''Дон Жуан''
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Among the memorable productions at the Piccolo Teatro elaborated by Ezio Frigerio for the directions of Strehler, must be surely remembered: The Giants of the Mountain (1966) and of Saint Joan of the Stockyards by Brecht (1970), King Lear (1972), The Storm by Strindberg (1980), La grande magia by Eduardo De Filippo (1985) and Arlecchino servitore di due padroni by Goldoni (1973 and 1987). Трёхгрошовая опера - Musical dramaСлова Бертольт Брехт (1898-1956) Сценография, костюмы Ezio FrigerioПостановка Джорджо СтрелерМонтаж Пикколо театр в Милане, 1972-73
Again the combination of the MSC - Spalmato Cuba, silver, the transparency of HSE - Шёлк Tempesta and a rear illuminated ceiling on a RTE - Temporale backdrop.The compositional inventions of Frigerio reach their top in the realizations for musical theatre. Famous the installations realized for Strehler's directions in the years 1970s and 1980s, which Симон Бокканегра and Фальстаф by Verdi and Lohengrin by Wagner, and also the setting up of Эрнани by Verdi for Лука Ронкони at the Театр алла Скала in Milan (1982), Médée by Cherubini with the direction of Лилиана Кавани, realized in 1986 for the Опера Гарнье в Париже , by Электра Strauss, produced with Núria Espert in 1987 for the Théâtre de la Monnaie in Bruxelles. Театр Massimo, ''Сицилийская вечерня''

The transparency of the backdrops made of BGO - Тюль Gobelin with elaborate subjects in Цифровая печать, the picture underlines the rear-illumination of a backdrop realized with the film for rear-projections made of RTE - Temporale.Numerous also the realizations for the ballet, in which Ezio Frigerio collaborates with personality as Beppe Menegatti, Ролан Пети, Юрий Николаевич Григорович..With Рудольф Нуреев, in 1979, puts on stage at the Театр алла Скала of Milan Ромео_и_Джульетта by Сергей Прокофьев. Театр Real, ''Сказки Гофмана''
Important in the career of Ezio Frigerio, the very long collaboration with the costume designer Franca Squarciapino, which debuted at his side in 1972 in Король Лир by Strehler at the Пикколо театр, Милан and is rewarded from Academy with the highest recognition for the costumes of Сирано де Бержерак.Of a great effect, on the scene, the sea backdrop that shines through the white HSE - Шёлк Tempesta curtains and from the small stretched bacdrops made of black EVT - Вуаль Trevira. The backdrops was manufactured with the reflecting fabric MSC - Spalmato Cuba, silver colour, whose sparkle, caused from the projections of lights, simulated in a stylized way the slow movement of the sea waves. Театр Сан-Карло, ''Тристан и Изольда''
After the architecture studies at the Politecnico di Milano, Frigerio alternated initially the works for the cinema and for theatre. Трёхгрошовая опера - Musical dramaСлова Бертольт Брехт (1898-1956) Сценография, костюмы Ezio FrigerioПостановка Джорджо СтрелерМонтаж Пикколо театр в Милане, 1972-73
The scenographic work of Ezio Frigerio (Erba, Italy, 1930), also costume designer, is remarkable for the genial articulation of the stage space, performed at times on different levels, with the use of deceptions of the perspective and geometric reconstructions that often use architectural elements (columns, particularly).
An articulation that often reaches levels of inimitable refinement of the composition, in which is underlined a notable interest for the interactions with the light of the reflecting and transparent materials, often of new experimentation.
Frigerio was a stable collaborator of Джорджо Стрелер from 1955, with his first works as a costume designer for the Пикколо театр of Milan, to 1997, year of the death of the great stage director.
A great relief have his numerous collaborations with important international productions, also outside the theatrical circle: in 1991 in fact he received a nomination to the Oscar prize for the scenographies of the film Сирано де Бержерак by the French director Жан-Поль Раппно.

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Театр Сан-Карло, ''Тристан и Изольда''

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Театр Massimo, ''Сицилийская вечерня''

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Театр Real, ''Дон Жуан''

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Театр Real, ''Сказки Гофмана''

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