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Театр Ла Фениче, ''Сомнамбула''

Венеция

A spectacular view of the Jungfrau in one of the three photographs chosen by set designer Massimo Checchetto as a background ...
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... to be printed on as many Бэклит-фоны made of RNV - Nevada с печатью film.As is evident from the costumes and the bus, the direction of Bepi Morassi has transposed the temporal setting of the opera into Switzerland in the 1950s to which the hyper-realistic choices of the scenography adapt perfectly.
A second alpine view, this time shot from above, has been used for a RNV - Nevada с печатью backdrop larger than the previous one and it will be the background ...
... of a panoramic terrace with breathtaking views and reachable by cable car.With proper lighting ...
... the large Бэклит-задник с цифровой печатью ...
... may take on an appearance gradually ...
... more twilight or even ...
... a nocturnal one, in this interior where the panorama is seen through the large glass wall of a hotel, beyond which there is also the sleepwalker Amina.The moon and the lunar light are rear-projected onto the Бэклит-фон.The scene also uses ...
Сомнамбула
Мелодрама в двух актах
Музыка
Винченцо Беллини (1801-1835)
Либретто
Феличе Романи
по Эжен Скриб и Жермен Делавинь
Премьера
Милан, Театр Carcano, 6/3/1831
Сценография
Massimo Checchetto
Костюмы
Carlos Tieppo
Художник по свету
Vilmo Furian
Постановка
Bepi Morassi
Монтаж
Театр Ла Фениче, Венеция
Сезон
2012

Используемые материалы

Бэклит-задники с цифровой печатью

RNV - Nevada

Материалы для рир-проекции

RNV - Nevada с печатью

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