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Teatro della Pergola, ''Отец''

Флоренция

The sketch by the scenographer Alessandro Camera, who planned to use the 460. purple red FMB - Macbeth 400 velvet.The vertical velvet artifacts are 10 wings 14 m high and from 1 ti 3 m wide, all made with 190% пошив с вертикальными складками.At the top, not visible in the sketch, there is a 13 x h 3 m valance in two parts made with 190% Пошив с концентрическими складками.
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The mounting on the stage of the Teatro della Pergola of the scenographic carpet made of red FMB - Macbeth 400 velvet and of the valance with Пошив с концентрическими складками ...
... which is brought up here.And when the installation is ended ...
... here is the scene, complete of all the props.A Бэклит-фон made of RAR - Arizona is used to create the different external light conditions visible through the large window from which, at times, we witness some snowfalls against the light, that are simulated with the use of QNS - Bianca synthetic snow.The wings made of FMB - Macbeth 400 velvet can be moved ...
... along a Kompas track system and they assume various positions during the unfolding of the tragedy.The stage carpet, which measures 15 x 10 m ...
... is also made of red FMB - Macbeth 400 velvet and it lays on the floorboard in a rather wavy and rippled way.All the props, the pendulum, the table, the sofa, the armchairs ...
... have lost their verticality and are in a precarious balance, like the mental and emotional one of the protagonist.The sofa and the armchairs are covered with the same velvet that envelops the entire scene.
The sketch by the scenographer Alessandro Camera, who planned to use the 460. purple red FMB - Macbeth 400 velvet.The vertical velvet artifacts are 10 wings 14 m high and from 1 ti 3 m wide, all made with 190% пошив с вертикальными складками.At the top, not visible in the sketch, there is a 13 x h 3 m valance in two parts made with 190% Пошив с концентрическими складками.
Отец
Трагедия в трёх актах
Слова
August Strindberg (1849-1912)
Премьера
Copenhagen, Casino-teatern, 1887
Сценография
Alessandro Camera
Костюмы
Andrea Viotti
Художник по свету
Michelangelo Vitullo
Техническое руководство
Luigi Perla
Постановка
Gabriele Lavia
Производство
Teatro della Toscana
Монтаж
Teatro della Pergola Флоренция
Сезон
2018

Используемые материалы

Бэклит-фоны

Типы ПВХ задников

Концентрические складки

Типологии изделия из ткани

1K - Kompas

Рельсовые системы

Closed sets

Рамы для сценографии

COS - Oscurante

Затемняющие материалы

FMB - Macbeth 400

Велюр

QNS - Bianca

Декоративные материалы

RAR - Arizona

Материалы для рир-проекции

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