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Театр de la Maestranza, ''Così fan tutte''

Севилья (Испания)

The sketch of the set designer Emanuele Sinisi displays a silver curtain with пошив с вертикальными складками.It is planned to be made with a light fabric, with reflection and translucency characteristics to be dynamically alternated by means of a suitably designed lighting system.The triangular plan Closed set ...
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... is dominated by a Плафон in which a large oculus opens up.In semi-transparency through the curtain, to illuminate the central part with fuchsia light, the superimposed astronomical symbols of Venus and Mars stand out.A stagehand has just finished installing the curtain ...
... on the stage of the Teatro de la Maestranza in Seville of the curtain made according to the instructions by Emanuele Sinisi.In detail, it is a Раздвижной занавес 15 x h 8 m made of 52. silver HLU - Lucilla with 80% пошив с вертикальными складками.The audience awaits the start of the performance ...
... and a low blue light illuminates the proscenium and the outline of the Раздвижной занавес made of silver HLU - Lucilla, while the center of the curtain reflects the light of the hall.The stage lights are turned off behind the curtain, which therefore totally fulfills its function as an optical separation between the hall and the stage, despite the translucency of the fabric.
Transparency test during the lighting rehearsals.The lighting designer Albert Faura is mixing a grazing lighting on the curtain, which highlights the vertical lines projecting towards the proscenium, with the lighting of the scene behind, where the male and female symbol, made with LED strips, stands out for its power.
The proscenium with the singers in full light.The HLU - Lucilla curtain is illuminated in its peripheral parts, where its silver aspect is highlighted.Its central area and the scene behind it are instead kept in the dark in order to send ...
... the purple symbol against the light, which is here given the maximum prominence to the point that it seems to pierce the fabric.The lighting of the proscenium ...
... is also extended to the center of the curtain and it is used to paint it with a slightly golden tone, while the genre symbol has been turned off.The grazing light increases the three-dimensionality of the drapery thanks to the strong contrast between the more hollow and dark vertical lines and the more external and reflective ones.
Так поступают все
Opera buffa в двух актах
Музыка
Вольфганг Амадей Моцарт (1756-1791)
Либретто
Лоренцо да Понте
Премьера
Вена, Бургтеатр, 26/1/1790
Сценография
Emanuele Sinisi
Костюмы
Rafael R. Villalobos
Lighting design
Albert Faura (A.A.I.)
Декорационные мастерские
Opera Set, Флоренция
Техническое руководство
Antonio Moreno
Постановка
Rafael R. Villalobos
Монтаж
Teatro de la Maestranza, Севилья
Сезон
2020 / 2021

Используемые материалы

Вертикальные складки

Типологии изделия из ткани

Плафоны

Элементы сцены

Пошив вгладь (без складок)

Типологии изделия из ткани

Раздвижной занавес

Типология занавеса

ASC - Sceno

Холсты

Closed sets

Элементы сцены

HLU - Lucilla

Металлизированные ткани

WLA - Вязка

Изделия из ткани: отделка и аксессуары

WPL - Plomba

Изделия из ткани: отделка и аксессуары

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