Teatro Comunale, ''Каприччио''


As per the libretto, the scene is the interior of a castle near Paris towards the end of the ancien régime, just over a decade before the revolution.An intentionally heavy made and irregularly open curtain partially hides the stage.It is made of green FOT - Otello velvet and its draperies are raised with Складное открытие назад, almost laboriously, to underline its weight and mass ...
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... while another half curtain made with similar modalities, in the background, after the two steps that divide the scene into two levels, has an opening position similar to that of a Итальянский занавес.In the background, in the semi-darkness, a backdrop made of ASC - Sceno muslin was painted in imitation of the tapestries of the time is screened by two weighty movable Flats with large mirrors in a way of Galérie des Glaces, made of QSF - Miroflex panels ...
... and framed by tapestries which are imitated with the same executive methods as the backdrop.The big shutters run on the scene and rotate on themselves ...
... opening, modifying and closing the views, accompanied in their movements by the variations of the lighting, in a continuous evolution ...
... that changes the perspectives and visions reflected in the mirrors, in this case the back of the looming green velvet curtain, also visible in the foreground, top left, against the light.«Everything multiplies, divides itself, reflects itself - according to the typical code of Ronconi - sliding from the world of the living room to the illusory one.» Rubens Tedeschi
Above, to close the opening above the large movable panels, four in all, a valance with австрийские изготовление made with the same green velvet as the curtains.The scene is completed by two wagons which, one on each side of the scene, imitate the boxes of the Teatro Comunale and ...
... with their entrance on the stage, they transform the interior from a noble residence into that of a theater ...
... in which the protagonists also act as spectators in a metateatral atmosphere that passes by the courtly one ...
Музыкальный диалог в одном акте
Рихард Штраус
Клеменс Краус
Мюнхен, Национальный театр, 28/10/1942

Carlo Diappi
Lighting design
Sergio Guazzotti


Используемые материалы

Австрийский занавес

Типология занавеса

Вертикальные складки

Типологии изделия из ткани

Пошив вгладь (без складок)

Типологии изделия из ткани

Складной занавес

Типология занавеса

ASC - Sceno


BGO - Gobelin

Тюль и сетки

FOT - Otello


QSF - Miroflex

Зеркальные материалы

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